Net Worth Ranker
What Is Domenick Lombardozzi’s Net Worth?
Domenick Lombardozzi, a versatile American actor known for his roles in acclaimed television series and films, has an estimated net worth of $1 million. This wealth is primarily accumulated through his extensive acting career spanning over three decades, marked by consistent work across various platforms.
Domenick Lombardozzi’s Career and Earnings
Lombardozzi’s journey in acting began at the age of 17 when Robert De Niro cast him in the 1993 film “A Bronx Tale,” where he played the role of Nicky Zero. This initial role served as a launching pad for his career. In the early years, Lombardozzi secured roles in films such as “Kiss Me, Guido” (1997), “54” (1998), and “For Love of the Game” (1999), each contributing incrementally to his early earnings and establishing his presence in the industry.
His television career gained momentum with guest appearances on series like “Law & Order” (1999), “Oz” (2000), and “NYPD Blue” (2001). These roles, while episodic, helped to diversify his income streams and build a portfolio of work that showcased his range as an actor. Specific income details for these early roles are not publicly available, but such roles typically provide a per-episode payment that can range from a few thousand to tens of thousands of dollars depending on the show’s budget and the actor’s experience.
A significant breakthrough in Lombardozzi’s career came with his role as Thomas “Herc” Hauk in HBO’s critically acclaimed crime drama “The Wire” (2002–2008). Over the show’s five seasons and 60 episodes, Lombardozzi’s consistent presence as a main cast member significantly boosted his earnings. While precise salary figures for his role on “The Wire” remain undisclosed, similar roles in high-profile HBO series often pay actors between $10,000 and $50,000 per episode, depending on their prominence and negotiation skills. Given Lombardozzi’s substantial role, it is reasonable to estimate that he earned a significant portion of his net worth from this series.
Following “The Wire,” Lombardozzi continued to secure roles in both television and film. He played Ray Zancanelli on A&E’s “Breakout Kings” (2011–2012) and Ralph Capone on HBO’s “Boardwalk Empire” (2013–2014). These recurring roles provided a steady income and further solidified his reputation as a reliable and talented actor. A lead role in “Breakout Kings,” with 23 episodes, could have paid him around $20,000 to $60,000 per episode. A supporting role in “Boardwalk Empire,” featured in 20 episodes, likely yielded a similar per-episode payment structure, bolstering his annual income.
In “Rosewood” (2015–2017), Lombardozzi portrayed Captain Ira Hornstock, which allowed him to further increase his earnings through a consistent role. Given “Rosewood”‘s status as a network television series, Lombardozzi’s per-episode salary could have been between $30,000 and $75,000, depending on his contract negotiations and the series’ budget. Over two seasons, his cumulative earnings from this role would have been substantial.
His role as NYPD Officer Sean “Mac” McGrath on “Ray Donovan” (2018–2019) and Charles “Chickie” Invernizzi on “Tulsa King” (2022) also contributed to his income. “Ray Donovan” as a premium cable series, may have offered Lombardozzi around $25,000 to $65,000 per episode. “Tulsa King”, premiering on Paramount+, would likely have offered him similar rates or higher given the streaming platform’s investment in attracting established talent. Recurring roles on series like “Power” (2018–2019) and “The Deuce” (2019) also added to his annual earnings, though the exact figures are not publicly detailed.
In addition to television, Lombardozzi has appeared in numerous films, including “Phone Booth” (2002), “S.W.A.T.” (2003), “Miami Vice” (2006), “Public Enemies” (2009), “The Family” (2013), and “The Irishman” (2019). Film roles typically offer a one-time payment that can range from a few thousand dollars for minor roles to hundreds of thousands or even millions for more significant parts. Lombardozzi’s roles in these films, while not always leading, have consistently provided additional income streams.
His participation in Martin Scorsese’s “The Irishman” (2019) is a notable highlight. Though details about his specific compensation for the film are not public, being part of such a high-profile project likely came with a significant paycheck, as well as increased visibility that could lead to more lucrative opportunities in the future. Given the scale and prestige of the film, it is reasonable to estimate his earnings for this role could have been in the tens or hundreds of thousands of dollars.
Lombardozzi’s film roles in the 2020s include “The King of Staten Island” (2020), “Boogie” (2021), “Armageddon Time” (2022), “Fresh Kills” (2023), and “Reptile” (2023). The compensation for these roles would vary depending on the film’s budget and Lombardozzi’s role size. Indie films like “Boogie” or “Fresh Kills” might offer lower upfront payments but potentially provide a share of any profits the film generates, whereas larger productions like “Reptile” would offer more substantial upfront compensation.
Overall, Domenick Lombardozzi’s long and consistent career has enabled him to accumulate a net worth of $1 million. This figure represents the sum of his earnings from various roles across television and film over the past three decades, adjusted for expenses and investments. While precise details about his investment portfolios or real estate holdings are not publicly available, the continued accumulation of acting credits suggests a steady income that has supported his financial stability.
Domenick Lombardozzi’s Early Life and Career Beginnings
Domenick Lombardozzi was born on March 25, 1976, in the Bronx, New York. His Italian heritage and upbringing in New York City played a significant role in shaping his career. Lombardozzi attended the New York City High School of Performing Arts, an institution renowned for nurturing young talent. Specific details about his early life, such as the exact address where he grew up or the financial background of his family, are not publicly documented.
His involvement in “A Bronx Tale” at the age of 17 marked the beginning of his professional acting career. The experience of working on a film directed by and starring Robert De Niro provided invaluable exposure and set the stage for future opportunities. Despite the significant impact of this early role, Lombardozzi continued his education, balancing his burgeoning acting career with his academic pursuits. His decision to attend the High School of Performing Arts suggests an early commitment to the craft and a strategic approach to developing his skills.
The early films he appeared in, such as “Kiss Me, Guido” and “54,” were smaller productions that allowed him to gain experience and build his resume. These roles likely offered modest pay but were essential steps in establishing him as a working actor. Concurrent with these film roles, Lombardozzi also began to appear in television series, which offered more consistent work and income. His guest appearances on shows like “Law & Order,” “Oz,” and “NYPD Blue” showcased his versatility and helped him to network within the industry.
These early experiences laid the groundwork for his later success on “The Wire.” The consistent work and exposure he gained in the late 1990s and early 2000s made him a recognizable face and a reliable performer, which ultimately led to his casting in the HBO series. Without these formative years, it is unlikely that Lombardozzi would have achieved the level of success that he has enjoyed throughout his career.
While the financial details of his early roles are not publicly accessible, it is clear that Lombardozzi’s initial earnings were reinvested in his career, allowing him to take on additional projects and further develop his skills. His commitment to continuous learning and improvement has been a key factor in his longevity and success in a competitive industry.
Other Roles
In 2001, Domenick Lombardozzi played baseball player Moose Skowron in the HBO film “61*,” directed by Billy Crystal. While the exact payment he received for this role is not public knowledge, it can be estimated that he was compensated in line with other similar roles in HBO films at that time, possibly earning between $15,000 and $40,000.
Recurring roles as Sebastian Nuzo on “Magnum P.I.” (2018–2022), Benny Civello on “Power” (2018–2019), and Jack Maple on “The Deuce” (2019), and playing George on HBO’s “Mrs. Fletcher” (2019), contributed to his annual income between 2018-2022. The exact earnings are not publicly known, but earnings could be roughly estimated between $10,000 – $50,000 per episode, depending on the amount of episodes he appeared in.
He appeared in the miniseries “We Own This City” (2022). Depending on his role, the compensation for his appearance in the miniseries could have been between $15,000 and $60,000 per episode.
