Net Worth Ranker
What Is Elliott Gould’s Net Worth?
Elliott Gould, the celebrated American actor, has carved a prominent place for himself in the entertainment industry. Best known for his roles in iconic films like “Bob & Carol & Ted & Alice” and Robert Altman’s “M*A*S*H,” “The Long Goodbye,” and “California Split,” Gould has accumulated significant wealth over his long and illustrious career. As of 2024, Elliott Gould’s net worth is estimated to be around $10 million. This financial standing is primarily derived from his extensive work in film and television, reflecting his enduring appeal and consistent presence in the industry. Further, his net worth is shaped by savvy investments and his longevity in show business.
Early Career and Breakthrough Roles
Born Elliott Goldstein on August 29, 1938, in Brooklyn, New York, to Bernard, a textiles buyer, and Lucille, who sold artificial flowers, Gould’s early life laid the foundation for his future career. He attended the Professional Children’s School, which undoubtedly aided his career path and allowed him to meet other early starters. Gould started his acting journey on Broadway in the late 1950s. His debut was a minor role in the musical “Rumple” in 1957, followed by another small part in “Say, Darling” in 1958. These early roles provided him with invaluable experience and exposure to the world of professional acting.
In 1964, Gould made his feature film debut in William Dieterle’s “Quick, Let’s Get Married.” Though this role was not a major breakthrough, it marked the beginning of his transition to film. It wasn’t until 1969 that Gould achieved widespread recognition, starring alongside Dyan Cannon, Natalie Wood, and Robert Culp in Paul Mazursky’s hit film “Bob & Carol & Ted & Alice.” His performance as Ted Henderson earned him an Academy Award nomination for Best Supporting Actor, a significant milestone that boosted his profile and opened doors to more prominent roles. A year later, he starred in Robert Altman’s war comedy “M*A*S*H,” playing Trapper John McIntyre, a role that solidified his status as a leading actor. These pivotal roles in the late 1960s and early 1970s significantly contributed to his early financial success and fame.
Film Career: The 1970s and 1980s
The 1970s were a prolific period for Elliott Gould, marked by a series of critically acclaimed and commercially successful films. Following the success of “M*A*S*H,” Gould starred in a variety of films, including “Getting Straight,” “Move,” and “I Love My Wife” in 1970. In 1971, he took on roles in Alan Arkin’s black comedy “Little Murders” and Ingmar Bergman’s romantic drama “The Touch.” A significant role came in 1973 when he reunited with Robert Altman to play detective Philip Marlowe in the neo-noir thriller “The Long Goodbye.” This role showcased his versatility as an actor and further cemented his reputation. He also starred in “California Split” with George Segal in 1974. Other notable credits during this decade include “Busting,” “S*P*Y*S,” “I Will, I Will… for Now,” “Harry and Walter Go to New York,” “A Bridge Too Far,” “Matilda,” “The Silent Partner,” and “Capricorn One.” These roles not only added to his net worth through salary earnings but also increased his market value as an actor. Exact salary figures from these roles are not publicly available, but given his rising status, it can be inferred that his earnings were substantial.
The 1980s saw Gould continue to work steadily, though perhaps with fewer blockbuster roles compared to the previous decade. He began the decade with starring roles in the Disney family adventure “The Last Flight of Noah’s Ark” and the romantic comedy “Falling in Love Again.” Another Disney film, “The Devil and Max Devlin,” followed. Gould also appeared in “Dirty Tricks,” “Tramps,” “Over the Brooklyn Bridge,” “The Naked Face,” “Inside Out,” “Lethal Obsession,” “My First Forty Years,” “The Telephone,” and “Dangerous Love.” He closed out the decade with four films in 1989: “Night Visitor,” “The Lemon Sisters,” “Massacre Play,” and “Secret Scandal.” While these films may not have achieved the same level of critical acclaim or box office success as his earlier work, they provided a consistent income stream and kept him active in the industry. Specific earnings from these films are not public knowledge.
Film Career: The 1990s and 2000s
In the early 1990s, Elliott Gould continued to secure roles in a variety of films, demonstrating his adaptability and enduring presence in Hollywood. He appeared in “I’ll Be Going Now” and “Dead Men Don’t Die.” His supporting performance as aging mobster Harry Greenberg in the biographical crime film “Bugsy” earned him critical acclaim, showcasing his ability to deliver compelling performances in character roles. He also featured in “Beyond Justice,” “The Player,” “Wet and Wild Summer!,” and “Amore!” Throughout the decade, Gould consistently took on supporting roles in films such as “The Glass Shield,” “A Boy Called Hate,” “Kicking and Screaming,” “johns,” “The Big Hit,” and “American History X.” These roles, while not always leading ones, allowed him to remain a working actor and contribute to a diverse range of projects.
The 2000s marked a resurgence in Gould’s career, particularly with his involvement in the “Ocean’s” film series. He appeared in “Playing Mona Lisa” and “Picking Up the Pieces” at the start of the decade. One of his most popular roles came with Steven Soderbergh’s remake of “Ocean’s Eleven,” where he played Reuben Tishkoff, a wealthy former casino owner. This role not only revitalized his career but also introduced him to a new generation of audiences. Gould reprised the role in the sequels “Ocean’s Twelve” and “Ocean’s Thirteen,” as well as in the spinoff “Ocean’s 8.” These films were major box office successes, significantly boosting his income and visibility. His other notable credits during this period include “The Caller,” “Expecting Mary,” “Morning,” “Contagion,” “Ruby Sparks,” “Humor Me,” and “Dangerous Lies.” The “Ocean’s” series likely contributed a substantial portion of his net worth during this time, although specific salary details are not publicly available.
Television Career
Elliott Gould’s television career has been extensive, contributing significantly to his overall net worth. He first appeared on television in 1964, playing the Jester in the television film “Once Upon a Mattress.” However, his television career gained momentum later in the 1970s. From 1975 to 1980, he hosted six episodes of “Saturday Night Live,” a role that showcased his comedic talents and increased his public profile. In 1984, Gould landed his first major role on a television series, playing Dr. Howard Sheinfeld on the CBS medical sitcom “E/R” from 1984 to 1986. This role provided steady income and established him as a recognizable face on television. In the latter half of the 1980s, he appeared in episodes of “The Twilight Zone” and “Together We Stand,” as well as in television films such as “Conspiracy: The Trial of the Chicago 8,” “Frog,” and “Act of Betrayal.” These appearances further diversified his earnings and kept him active in the industry.
The 1990s saw Gould appearing on numerous shows, including “L.A. Law,” “Moon Over Miami,” “Burke’s Law,” and “Mentors.” In 1998, he had a main role on the Fox sitcom “Getting Personal.” However, his most notable role during this decade was on the NBC sitcom “Friends,” where he played Jack Geller, the father of Ross and Monica. He recurred in this role for 20 episodes through 2003, becoming a beloved recurring character. This role not only provided a consistent income stream but also significantly boosted his popularity. Toward the end of his run on “Friends,” he starred on the short-lived sitcom “Baby Bob.” This was followed by guest appearances on shows such as “Las Vegas,” “Crumbs,” “Law & Order,” “CSI: Crime Scene Investigation,” and “The Cape.” From 2013 to 2016, Gould had a significant role as Ezra Goldman on the crime series “Ray Donovan.” Other major credits include the sitcoms “Mulaney” and “9JKL” and the CBS drama “Doubt.” His recurring role on “Friends” and his role on “Ray Donovan” were particularly lucrative, adding substantially to his net worth. While specific episode fees are not public, it is likely that these roles provided significant financial benefits given the popularity of the shows.
Personal Life and Real Estate
Elliott Gould’s personal life has seen its share of ups and downs, including multiple marriages and divorces. In 1963, Gould married Barbra Streisand, whom he had met while starring on Broadway in “I Can Get It for You Wholesale.” The pair had a son named Jason and divorced in 1971. Two years later, Gould married Jennifer Bogart, with whom he had two children, Molly and Samuel, prior to their marriage. Gould and Bogart divorced in 1975, remarried in 1978, and later divorced for a second time in 1989. These personal events may have had some financial implications, particularly in terms of divorce settlements, although the specifics are not publicly available.
Details about Elliott Gould’s real estate holdings are not widely publicized. It is common for celebrities to invest in real estate, which can contribute significantly to their net worth. While specific addresses and property values are not known, it is reasonable to assume that Gould owns or has owned properties in desirable locations, given his long and successful career in the entertainment industry. These properties may include residences in Los Angeles or New York, where he has spent much of his career working in film and television.
Besides acting roles and possible real estate investments, Gould’s financial success has been driven by his career longevity. Exact data for each of his earlier roles are not readily available, but it is reasonable to suppose that he has supplemented his income with wise investments. His estimated $10 million net worth reflects the durability of his career in the entertainment business, where consistent work over decades accumulates to considerable financial success.
