Net Worth Ranker
What Is Stephanie Zimbalist’s Net Worth?
Stephanie Zimbalist, a celebrated American actress, has cultivated a substantial net worth of $4 million. This financial standing is primarily attributed to her extensive career in television, film, and theatre, where she has consistently delivered memorable performances across various genres and platforms. Her role as Laura Holt in the NBC detective series “Remington Steele” is a cornerstone of her financial success, providing not only immediate income but also long-term recognition and opportunities.
Early Life and Career Beginnings
Born on October 8, 1956, in New York City, Stephanie Zimbalist hails from a family deeply rooted in the performing arts. Her father, Efrem Zimbalist Jr., was a prominent actor known for his roles in series such as “77 Sunset Strip” and “The FBI.” Her paternal grandfather, Efrem Zimbalist, was a renowned Russian symphony conductor and concert violinist, while her grandmother, Alma Gluck, was a celebrated Romanian soprano. Growing up in Los Angeles, California, Stephanie was immersed in a world of artistic expression, which undoubtedly influenced her career path.
Stephanie’s early education included attending the Marlborough School before transferring to the Foxcraft School in Middleburg, Virginia, a boarding school for girls. Her formal training in acting began at the prestigious Juilliard School, where she honed her skills and prepared for a multifaceted career in the entertainment industry. This education provided a solid foundation upon which she built her acting career, contributing significantly to her long-term earning potential.
Theatrical Performances and Accolades
Zimbalist’s career took off in 1969 with her debut in “Gypsy,” marking the beginning of a prolific stage career. Throughout the 1970s, she showcased her talent in productions like “Stars & Stripes,” “Little Mary Sunshine,” “Peter Pan,” “Kiss Me, Kate,” “Festival,” and “The Tempest.” Her appearance in “The Tempest” at the Mark Taper Forum in Los Angeles alongside Anthony Hopkins, Brent Carver, and Michael Bond was a significant early career highlight. While specific financial details from these early roles aren’t publicly available, such consistent work contributed to her developing financial stability.
The 1980s saw Zimbalist’s involvement in productions such as “The Babysitter,” “American Mosaic,” “The Cherry Orchard,” “Barbarians,” “Summer & Smoke,” “My One & Only,” and “Carousel.” Notably, she played Edith Herbert opposite Tommy Tune in the touring production of “My One and Only.” Specific income from these productions is not publicly documented, but they added to her growing recognition and reputation in the theatre world.
In the 1990s, Zimbalist continued her theatrical endeavors with roles in “The Baby Dance,” “The Threepenny Opera,” “The Philadelphia Story,” “The Crimson Thread,” “AdWars,” “Sylvia,” “Wonderful Town,” “Mr. Bundy,” “The Gregory Peck Reading Series,” “Denial,” and “Far East.” Her continued presence in these productions, while varying in pay scale, sustained her income and kept her active in the industry.
The year 2000 marked a significant achievement when she starred in “The Rainmaker” at the Rubicon community theater in Ventura, California, and won the Robby Award for Best Actress in a Drama. This award not only recognized her talent but also likely boosted her future earning potential. Subsequent productions in the 2000s included “Walking Wounded,” “A Cowardly Cavalcade,” “The Cherry Orchard,” “Dancing at Lughnasa,” “Tall Tales,” “Defying Gravity,” “Follies,” “Vincent in Brixton,” “Confidentially Tchaikovsky,” “The Memory of Water,” “Tea At Five” “You Can’t Take It With You,” “A Little Night Music,” “The Spin Cycle,” and “The Price.” Though precise income figures from these performances are not available, each contributed to her overall net worth.
During the 2010s, Zimbalist’s theatrical work continued with roles in “Truth and Justice,” “The Subject Was Roses,” “Steel Magnolias,” “The Lion in Winter,” “Sex and Education,” and “Living on Love.” Each of these roles further enhanced her standing in the theatre community, supplementing her income.
Television and Film Career
Stephanie Zimbalist’s transition to television and film significantly contributed to her $4 million net worth. Early television appearances included roles in “The Gathering” and “In the Matter of Karen Ann Quinlan” in 1977, “Forever” and “Long Journey Back” in 1978, “The Triangle Factory Fire Scandal” in 1979, “The Awakening” and “The Babysitter” in 1980, and “Tomorrow’s Child” in 1982. These early roles helped establish her presence in the television industry.
One of her notable early roles was in the mini-series “Centennial” (1978-1979), based on the James Michener novel. This project, being a large-scale production, would have provided a substantial income at the time. However, the specific amount is not publicly available.
In 1982, Zimbalist landed her most recognizable role as Laura Holt in the NBC series “Remington Steele,” co-starring with Pierce Brosnan and Doris Roberts. This role, which she held until 1987, significantly boosted her income and recognition. While her exact salary per episode is not public knowledge, leading roles in network series during the 1980s often commanded substantial fees, contributing significantly to her net worth. A reasonable estimate for such a prominent role could range from $25,000 to $50,000 per episode, indicating potential earnings in the millions over the series’ run.
Following “Remington Steele,” Zimbalist appeared in television films such as “Celebration Family” in 1987 and “The Man in the Brown Suit” in 1988. These roles provided additional income and maintained her visibility on television.
The 1990s saw Zimbalist taking on numerous roles in television films, including “Caroline?,” “The Killing Mind,” “The Story Lady,” “Breaking the Silence,” “Sexual Advances,” “Jericho Fever,” “Incident in a Small Town,” “Whose Daughter is She?,” and “Stop the World – I Want to Get Off.” While specific earnings from each film are not public, these roles collectively contributed to her income.
She also had guest roles in series like “Touched by an Angel,” “Diagnosis: Murder,” and “Twice in a Lifetime” during the 1990s. Guest appearances on popular series would have provided additional income streams.
In the 2000s, Zimbalist appeared in films such as “Borderline Normal,” “Malpractice,” “Truth,” “Lucy’s Piano,” and “The Delivery.” She also had guest roles in episodes of “Family Law,” “V.I.P.,” “Nash Bridges,” “Crossing Jordan,” and “Judging Amy.” Each of these roles contributed to her ongoing earnings, maintaining her financial stability.
More recently, she appeared in the 2023 film “Lucky Louie.” This role, along with her continuous involvement in the industry, helps sustain her financial position.
Other Ventures and Personal Life
Zimbalist has maintained a private personal life, and details about additional business ventures or investments are not widely available. However, sound financial management of her acting income has likely contributed to the maintenance of her $4 million net worth.
Her reported relationship with film director Peter Medak since 2000 suggests a stable personal life, though this does not directly impact her net worth. Any additional income from endorsements, investments, or other ventures remains undisclosed.
In summary, Stephanie Zimbalist’s $4 million net worth is primarily derived from her successful and sustained career in acting, with “Remington Steele” being a significant contributor. Her consistent work in theatre, television, and film over several decades has solidified her financial standing in the entertainment industry.
